Good With Numbers

By David Olimpio

0 x

The zero. The nothing. Reciting the zeros is all about repetition.

Zero is persuasive. Zero is full of ego.

Throw in a goddamned zero, and the other number becomes a zero. Every time. I swear it to you. This is not bullshit.

No matter how old you are, you will eventually be zero.

It doesn’t matter what the other number is, how proud or how big or how small.

Go up against a zero and you become a zero. Every time. I swear it to you. This is not bullshit.

1 x

One times one is itself.

One does not project itself onto other numbers, like zero. It is egoless. It is non-persuasive.

Put one up against another number, and it becomes the other number.

One times myself is always myself. One times dad is always dad.

One is how we begin to be something other than zero. One is always longing to be something more than one.

We will continue becoming more than one until we hit zero.

2 x

Dad and me. Lying on the bed in a guest bedroom in my house, which is a house where he no longer lives. Staring at the ceiling and doing times tables while I think about dinosaurs.

Let’s do twos, he says.

Can we read the dinosaur book? I say.

Let’s do all of them through nines, he says. Then the dinosaur book.

Dinosaurs lived two hundred million years ago, I say.

Yes, he says.

Is that older than you? I say.

Yes, he says. That is older than me.

How old are you? I say.

I’m thirty-three years, he says.

 
 

New work from David Olimpio is available in an Author Collection.

 

3 x

The crowded three. My dad, my step-mom, and me. Summer vacations. Word games on road-trips in a minivan.

The triad: wrong. The flatted third. The minor chord.

I believe in threes. I believe in repetitions of three. A fun game would be to find three different uses for the word “van.”

We already have one. We just need two more.

4 x

My stepbrother made our three into four. He was born in 1984, which is divisible by four, and which is eleven years after the year I was born. 1984 is a year that makes me think of Van Halen and checkered bandanas and Vans sneakers.

Every four is made up of a two, but not every two is made up of a four. Fourteen is not made up of a four, even though there is a four in the number.

Four is nice and round and comfortable. Four doesn’t seem hungry, and four doesn’t want for friends. Among other things, four makes a good placement at a dinner table.

Four-day weekends at dad’s were way better than two. More catfish caught on chilly Dallas mornings at Lake Ray Hubbard. More Pac-Man at quarter arcades. More trips to the video store for VHS rentals. Day one of four seemed like such a long time.

5 x

When you recite the fives, you really only need to remember two numbers: five and zero.

Also: every other five is even and every other five is odd.

Aging is best observed in five-year increments. For instance: school reunions are best kept five years apart.

I am eight times five, which is also divisible by four and two. When I was one times five, Dad moved to a different city. Dad and Mom were married two-times-five years. The first five, which may have been the best, were without me.

The last five. The last five. The last five.

6 x

I used to count the days by six packs of 7.5-percent pale ale. If you buy two six packs at one time, then you have more ways to divide the days before you need to return to the beer store. One each day for twelve days is the hardest to maintain, but the most responsible. Two each day for six is… optimistic. Three gets you four days. And four gets you three. Six will get you two nights… passed out on the couch. Twelve only gets you one of those, but costs you an additional one in recovery, so it’s like a double wammy.

7 x

Reciting the sevens was easy because I knew about football scores. I knew the 14 and the 21 and the 35 and the 42. I’d seen a few 49s but not a 56 or a 63. The 70 and the 77 were virtually unheard of. And the 84 was just crazy talk.

Every other weekend, I flew in a 737 between Houston and Dallas. When Dad drove me to love field to fly home to mom, we’d listen to Sunday football. Sunday is the seventh day. My favorite player was John Elway, who wore seven. On January 11th, 1987—27 years ago—dad and I sat in the airport parking garage together listening as John Elway executed a series of plays known today as “The Drive.” We’d do that when a game was really exciting. Just sit in the car with the radio on listening to the score until we absolutely had to go inside.

I never wanted to go inside.

8 x

My dad says eighty is the age. It’s the age for all of us, he says. The men with our last name, we only go to eighty. Then we throw a zero. Eighty is eight times ten or sixteen times five. If you graduate high school at eighteen, eighty would get you roughly twelve five-year reunions.

Great-Grandpa Guilio was eighty and seven months.

Pop-Pop was eighty and five months, just like his brother, Frank.

Great-Uncle Joe, who was terrified by the eight-oh, actually saw eighty-one…for ten days, or two fives.

Dad, who is now sixty-six and good with numbers, has had cancer twice. Sixty-six is twice thirty-three and still not as old as the dinosaurs. It is about eight times a five-year high-school reunion. It is two touchdowns (and two point-afters) away from eighty.

Two months ago, I became halfway to eighty.

Go up against a zero, and you become a zero. I swear it to you. This is not bullshit.


Originally published at Rappahannock Review.

Trick of The Senses

By David Olimpio

It was Glenn who found the dead cat. Underneath a bush in Mr. Kensey’s front yard. He told Daniel about it, and then Daniel came over to my house and told me. I went across the street and told Jamie. And for a few hours one Saturday, it was the news on our block: this stiff, dead cat.

We had to crawl through some bushes to get to it. In the close Houston air, we sat on our knees, our skin damp with sweat and brown with summer, and we looked down at the cat lying there on its side, lips pulled back in a rigor mortis grin. Aside from being dead, there seemed to be nothing wrong with it. No wound. No visible trauma.

“I dare you to touch it,” said Daniel.

“If you touch it, you’re gonna die,” said Jamie.

“I’ll touch it,” I said, and I put my hand on the cat’s stiff shoulder.

A kind of trick of the senses happens when you touch a dead thing. The expectation of something familiar. Some reaction: fear, joy, love. Warmth. Comfort. My hand on this cat, which was no longer a cat at all, just a container that resembled a cat and held a mass of hardening cat biology, strange and heavy and full. My hand on this cat, and the nothing that followed.

And some time later, my mom, sitting next to me in my bed, her hand on my shoulder: “You’re not going to die, David.” She didn’t know about the cat. Still, things always seemed true when she said them.

I have always touched the dead things I’m near. Behind bushes or under sheds: canine casualties. A groundhog flat on its back near the hibiscus. A rabbit caught just short of the fence. Now things I pull into plastic grocery bags.

And in cold hospital rooms: the darkening fingertips of hands that had held mine, lips partly open that had once said, “I’m so happy,” when we danced at my wedding. My hand on her stiff shoulder, then on the belly that had belonged to her, now swollen and hard underneath white blankets. My hand on her belly, and the trick of the senses from the nothing that followed. It only lasted for a few minutes, that last touch. And of all the things to remember about the years I spent with her, that shouldn’t be it. But the echo of that touch, the weight of that nothing, continues to follow me.


Originally published by The Austin Review.

All Our Windows

by Susanna Childress

           That year when all we did was fight
and fuck, fuck and fight, I felt awful—we both did,
                        I know—for the guy who lived with us, who came home
            from the seminary to our shouts, one set sounding
astoundingly like the other. I never heard him

             arrive but always I heard him leave, which is when you
would turn, your neck strained as a horse’s
                        in parade, beautiful and frightened, listening for a mount
             on the stairs while I caught the pedals of his ancient bike
scraping toward a library of bibles, kids

              on the street playing Not-It and all our windows
flung up. Admit it: you didn’t know the difference—the sound of a door
                        opening, the sound it makes
            when shut. I kept thinking that year would end
with a quiet conference, that we’d sit him down

             in the breakfast nook, night’s clamped-shut-stink
still on his breath and begin, Look, Corey, we’re sorry. It’s just that
                        we’re having a baby. And then,
            everyone’s face blooming a stupid rose red, yours
the same as when you jog, low, a fiery swipe of color

            straddling your lips, he would forgive us
our ruckus, his eyes shining a little with what doesn’t spill, New
                        life, he’d say. And who knows. We each
            could’ve found a place inside to make sense of the snow
that started too early and would not, for anything, let up.


Originally published by New South, http://newsouthjournal.com.

Mistakes I Have Made

By Susanna Childress

I used to sing to the windows
of my father’s
failing truck alongside
the peat-bog-voice of Van Morrison
a sweet philosophic jumble
I never have parsed out. My father,
steady as a flume, touched my arm
once and corrected me: the question
isn’t “What’s the sound
of one man clapping?” but one hand,
and even then I sang, bright
with defiance, didn’t (want to) get it, how
could I, hounded by this one man
clapping—so grand,
really, astounding—some guy
in a hooded Celtics sweatshirt standing
out in the street, in the aisles
of an empty chapel, ten acres of tobacco,
a grocery mart, a fire escape, clapping,
clapping, clapping, clapping.


Originally published by Every Day Poems.

Under This Roof

By Susanna Childress

My brother
has come to live with us
and how could we know
how deliberate
his hands
would be: at the sink,
thawing beans
stringy from too hot a June,
smoothing hairs
that whisper about
my sons’ ears, locking the door
against the snow. His hands
move slow as a dream, the kind
where no one watches out
for you as you slip over
the edge and sprawl
wordlessly down mountains
of air or time or floors
of people doing ordinary things
like switching on a lamp
or thumbing coins
in a pocket or typing out
a dissertation on the circus
which is the only thing my brother
feels proud about doing
in his whole holy life
—and here he is, living
in our basement
and looking at me
over waffles
as though I have given him
something
to be grateful for.


Originally published by fugue. See more at http://www.fuguejournal.com. 


When At Night Zane Says His Prayers

By Susanna Childress

The neighbor boy has cancer, has a fifty-fifty

chance, has taught my son how to play Wii, has spoken

of heaven, has planted four beans, has relapsed,

has used the word aspirate correctly in a sentence, has fallen

in love with our dogs which he is timid to admit

since his own dogs are nearly as lovable, has grown

his hair back, has mentioned Jésus, too, has cancer

and gave him a Hello Kitty sticker yesterday

at hemoc—hematology/oncology, has transformed

legos into a pixilated basket of fruit, has blown up

a balloon and tied it to himself with a string, has beaten

the highest score in Rubble Trouble, has relapsed,

has built a fort with my son featuring moat,

back door, and windows, all out of snow, has prayed

for Jésus and also Ben and also Tara and also Cameron

and also for my son, who does not have cancer

but a stomach virus which kept him from playing

Sidewalk Chalk and for which this kid remembers to lift

the syllables of my son’s name from his tongue to God,

like Pop Rocks, blueberry-blue, crackling, loud,

my son’s name in that boy’s open, irreducible mouth.

________________________________________________________________

This appeared on Antler, http://thisisantler.com/2012/04/interview-susanna-childress/.

Follow the link to read a previous interview with Susanna Childress.